(Qinding) Midian zhulin (欽定)秘殿珠林 "Pearl forest of the imperial palace" (also called Bidian zhulin 祕殿珠林) is a catalogue-like book on calligraphies and paintings of Buddhist and Daoist themes collected by the Imperial Household (neifu 內府). The book of 24 juan length was compiled on imperial order by a team under the direction of Zhang Zhao 張照 (1691-1745), Liang Shizheng 梁詩正 (1697-1763), Li Zongwan 勵宗萬 (1705-1759) and Zhang Ruo'ai 張若靄 (1713-1746). The "secular" counterpart of the Midian zhulin is the book Shiqu baoji 石渠寶笈.
Apart from calligraphies and paintings, the collection also discusses old book prints, imprinted silk (kesi 刻絲), embroideries and brocades (xiu jin 繡錦) and well as rubbings of stone or stele inscriptions.
Both books, finished in 1744, were later supplemented by further artworks acquired by the emperor. The Midian zhulin xubian 秘殿珠林續編 was published in 1791 as a compilation of Ruan Yuan 阮元 (1764-1849) et al., and the Midian zhulin sanbian 秘殿珠林三編 was finished in 1815, compiled by a team under Yinghe 英和 (1771-1840) et al. The original versions and their supplement describe more than 2,000 artworks.
The Midian zhulin begins with the principles of compilation (Fanli 凡例) and a general register (Zongmu 總目), but each chapter has a table of contents as well. Apart from juan 1, 23, and 24, the arrangement is first Buddhist, then Daoist artworks, first calligraphies, then paintings (which has emerged as a principle in traditional Chinese art books), first artworks whose creator is known, then anonymous ones; individual artworks are arranged according to their physical shape, namely bound booklets (ce 冊) first, then scrolls (juan 卷), and finely mounted scrolls (zhou 軸) last. Below this level, artworks are arranged according to their grade of mastery (shangdeng 上等, cideng 次等). Each artwork is described in detail, not only according to criteria of art, dimensions, the use of paper, ink, and colours, but also concerning titles (biaoti 標題), inscriptions (ti-ba 題跋), artist's notes (kuanzhi 款識) and seal imprints (yinji 印記). The Midian zhulin is the first art book in Chinese history specifically discussing religious calligraphies and paintings.
A modern edition was published in 1991 by the Shanghai Guji Shudian 上海古籍書店. It is included in the series Siku quanshu 四庫全書. Both Xubian supplements appeared on the market as a joint edition in 1948, with the title Midian zhulin Shiqu baoji xubian 秘殿珠林石渠寶笈續編.
1. | 御制四朝宸翰 | Artworks created by the four Qing emperors |
2.-3. | 名人書釋氏經冊 | Booklets with calligraphies of Buddhist texts |
4.-5. | 無名氏書釋氏經冊 | Booklets with calligraphies of Buddhist texts by unknown masters |
6. | 名人書釋氏經卷 | Scrolls of calligraphies of Buddhist texts |
7. | 名人書釋氏經軸 | Finely mounted scrolls of calligraphies of Buddhist texts |
無名氏書釋氏經軸 | Finely mounted scrolls of calligraphies of Buddhist texts by unknown masters | |
8. | 名人畫釋氏圖冊 | Booklets with images of Buddhist topics |
無名氏畫釋氏圖冊 | Booklets with images of Buddhist topics of unknown masters | |
9.-10. | 名人畫釋氏圖卷 | Scrolls of paintings of Buddhist topics |
11. | 無名氏畫釋氏圖卷 | Scrolls of paintings of Buddhist topics by unknown masters |
12. | 名人畫釋氏圖軸 | Finely mounted scrolls of paintings of Buddhist topics |
13. | 無名氏畫釋氏圖軸 | Finely mounted scrolls of paintings of Buddhist topics by unknown masters |
名人書畫釋氏合卷 | Combined scrolls of calligraphies and paintings of Buddhist topics | |
14. | 名人書刻本釋氏經冊 | Printed booklets with calligraphies of Buddhist texts |
舊刻本釋氏經冊 | Ancient prints of booklets with calligraphies of Buddhist texts | |
繡線釋氏經冊 | Booklets with embroideries of Buddhist texts | |
繡線釋氏圖卷 | Scrolls of embroidered images of Buddhist topics | |
繡線釋氏圖軸 | Finely mounted scrolls of embroidered images of Buddhist topics | |
刻絲釋氏圖軸 | Finely mounted images of Buddhist topics printed on silk | |
15. | 名人書道氏經冊 | Booklets with calligraphies of Daoist texts |
無名氏書道氏經冊 | Booklets with calligraphies of Daoist texts by unknown masters | |
16-17. | 名人書道氏經卷 | Scrolls of calligraphies of Daoist texts |
17. | 無名氏書道氏經卷 | Scrolls of calligraphies of Daoist texts by unknown masters |
名人書道氏經軸 | Finely mounted scrolls of calligraphies of Daoist texts | |
18. | 名人畫道氏圖冊 | Booklets with images of Daoist topics |
無名氏畫道氏圖冊 | Booklets with images of Daoist topics by unknown masters | |
名人畫道氏圖卷 | Scrolls of paintings of Daoist topics | |
19. | 無名氏畫道氏圖卷 | Scrolls of paintings of Daoist topics by unknown masters |
20. | 名人畫道氏圖軸 | Finely mounted scrolls of paintings of Daoist topics |
無名氏畫道氏圖軸 | Finely mounted scrolls of paintings of Daoist topics by unknown masters | |
名人書畫釋道合集 | Combined artworks of Buddhist and Daoist topics | |
21. | 舊刻本道氏經冊 | Ancient prints of booklets with calligraphies of Daoist texts |
繡線道氏圖軸 | Finely mounted scrolls of embroidered images of Daoist topics | |
刻絲道氏圖軸 | Finely mounted images of Daoist topics printed on silk | |
22. | 臣工書釋氏經冊 | Booklets of calligraphies of Buddhist texts by ministers and officials |
臣工書釋氏經卷 | Scrolls of calligraphies of Buddhist texts by ministers and officials | |
臣工書釋氏經軸 | Finely mounted scrolls of calligraphies of Buddhist texts by ministers and officials | |
臣工畫釋氏圖冊 | Booklets with images of Buddhist topics by ministers and officials | |
臣工畫釋氏圖卷 | Scrolls of paintings of Buddhist topics by ministers and officials | |
臣工畫釋氏圖軸 | Finely mounted scrolls of paintings of Buddhist topics by ministers and officials | |
臣工書道氏經冊 | Booklets of calligraphies of Daoist texts by ministers and officials | |
臣工畫道氏圖冊 | Booklets with images of Daoist topics by ministers and officials | |
23. | 御書石刻釋氏經典 | Rubbings of stone slab inscriptions of Buddhist texts calligraphied by emperors |
御書石刻道氏經典 | Rubbings of stone slab inscriptions of Daoist texts calligraphied by emperors | |
御書木刻釋氏經典 | Rubbings of wood-board inscriptions of Buddhist texts calligraphied by emperors | |
御定刻本釋氏經典 (語錄附) | Rubbings of inscriptions of Buddhist texts fixed by emperors (app. Sayings) | |
御定刻本道氏經典 | Rubbings of inscriptions of Daoist texts fixed by emperors | |
收貯釋氏經典 (語錄附) | Collections of Buddhist texts (app. Sayings) | |
收貯道氏經典 (科儀附) | Collections of Daoist texts (app. Liturgies) | |
24. | 供奉繪圖 | Paintings and images presented to the throne |
供奉經典 | Sutras and scriptures presented to the throne |
The Shiqu baoji 石渠寶笈 "Precious satchel of the Stone Channel [Studio]" has a length of 44 juan. It presents secular artworks according to nine categories, namely booklets with calligraphies (shuce 書冊), booklets with images (huace 畫冊), combined booklets (shuhua hece 書畫合冊), scrolls of calligraphies (shujuan 書卷), scrolls of paintings (huajuan 畫卷), combined scrolls (shuhua hejuan 書畫合卷), finely mounted scrolls of calligraphies (shuzhou 書軸), and of paintings (huazhou 畫軸), and combined ones (shuhua hezhou 書畫合軸). Each category is divided into first-class artworks (shangdeng) and common artworks (cideng).
The catalogue describes the type of paper or silk canvas, the dimensions of the artworks, artists' notes (kuanzhi), seals of owners (yinji), and additional descriptions or dedications ("prefaces and afterwords", tiyong 題詠, bawei 跋尾, ti-ba) found on the artworks listed.
The compilers decided to arrange the whole catalogue according to the buildings where these artworks were stored, which is quite inconvenient for the study of individual genres or artworks:
1-9 | 乾清宮 | Palace of Celestial Purity |
10-18 | 養心殿 | Hall of Mental Cultivation |
19 | 三希堂 | Hall of the Three Rarities |
20-27 | 重華宮 | Palace of Cherished Glory |
28-40 | 御書房 | Imperial Study of Calligraphy |
41 | 學詩堂 | Hall of Studying Poetry |
42 | 畫禪室 | Studio of Painting and Meditation |
43 | 長春書屋 | Library of Eternal Spring |
隨安室 | Studio of Suiting Complacency | |
攸芋齋藏 | Studio of Leisurely Abiding | |
44 | 翠雲館 | Studio of Azure Clouds |
漱芳齋 | Studio of Cleansing Fragrance | |
靜怡軒 | Lodge of Peaceful Enjoyment | |
三友齋 | Studio of Triple Amity |
The first supplement, Shiqu baoji chongbian 石渠寶笈重編 or xubian 石渠寶笈續編, was compiled by Wang Jie 王傑 (1725-1805), Dong Hao 董浩, Ruan Yuan et al., and the second supplement, Shiqu baoji sanbian 寶笈三編, by Yinghe, Huang Yue 黃鉞 (1750-1841), Wu Qiyan 吳其彥 (1779-1823), Hu Jing 胡敬 (1769-1845) et al. Ruan Yuan and Hu Jing wrote "brush-notes"-style (biji 筆記) essays related to the compilation of the catalogue, namely Shiqu suibi 石渠隨筆, and Xiqing zhaji 西清札記, respectively.
In 1918, the publisher Hanfenlou 涵芬樓 created lithographic prints of the first and second part. The Sanbian was published in full only in 1969, by the Gugong Bowuyuan 故宮博物院 in Taiwan.